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| Omar Metwally |
Simple Premise: Omar, an Iranian-American grad student in
literature, hopes to write a biography of obscure author Jules Gund,
who has recently offed himself. (Lord knows why—he's bedding Laura Linney and Charlotte Gainsbourg!) But young Omar (Omar Metwally) lacks the approval of Gund's
remaining family, who live on an isolated estate in Uruguay. Omar's a
get-along guy who's saddled with a controlling shrew of a girlfriend—the
kind who has plans for his entire life and assumes he'll inevitably
screw them up. When she
packs him off to Uruguay to get their permission, he does a great job
of looking lost. Until he meets the cultured Gunds--and
specifically Jules' mistress, Arden (Charlotte Gainsbourg). Along for the ride are Gund's black widow, Caroline (Laura Linney); his gay brother, Adam
(Anthony Hopkins); Adam's two-decades-younger lover (Hiroyuki Sanada);
and Gund's young daughter, Portia.
In this cocoon the family enjoys the kind of
existence I could easily warm to: painting, keeping bees, horseback-riding, sangria-soaked 3-hour lunching at the Parisia, and sipping Manhattans
under the portal at 5. But since Jules' death, they've kept each
other in a state of suspended animation, trying to preserve the life
they've shared together for many years.
Thus, it appears unlikely that Omar
will succeed in loosening their vice grip on the past. And indeed he
must work slowly to gain their trust and prove that he can turn out a
biography that will be both truthful and discreet. Treading like a
cat, he manages to endear himself and prove his sincerity and
affection for Jules Gund...and...well, others close to Jules.
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| Laura Linney |
And ah, Gainsbourg! Humble and quietly pining away over cigarettes and sweet-tempered angst. She fully embodies
the young Patti Smith, making her mesmerizing in terms of sheer
resemblance. [When IS that Just Kids film going to be
made??]
Two plus hours with these pretty people
in their pretty estate in leafy South America under the lush cinematography of Javier Aguirresarobe and I am now a
fully transformed human being. Well, not quite. But it's a terrific, transporting film, and I recommend you ask Netflix to take you to Uruguay, rapidamente!
And just in case you came here to
see Charlotte Gainsbourg (which I thoroughly endorse),
here are a few shots I quite like.



